I am now beginning to dye my second 50 yard roll of organza - that is, I've cut the lengths and am waiting for sunshine. The cloth already dyed is now in the final stages: it's been torn, rolled and glued; it will need a few strategic stitches to make sure the rolls stand upright.
I have been reading Maya Lin lately and was particularly intrigued by her idea of "ma": a theory in Japanese aesthetics (architecture, gardening) that applies to space and time: it is the distance between stepping stones (something continuous) and also the time it takes to make the step. I love that there is the consideration of time in there - and that it is human time. I want my "slow" art to invite reflection, and for the space and the movement through it to somehow bring serenity -to include this idea of "ma".
Ideas about how I might achieve this: to have the the rolls of silk on platforms - suggesting levels of water, even the sense of a rising tide or cresting wave; and along side, various colors of scrim, perhaps hung vertically on dowels (one on top an done on bottom) so a length of scrim would read one way frontally and another as it participates in the line of vision of other translucent scrims.
The viewer would walk through and between these areas of water and light.